Contribute

 The Shipwreck (1772), by Claude Joseph Vernet

"There are no sure oaths between lions and men." — The Iliad 

Join the conversation.

The Journal of Wild Culture is here to serve and create a new global community of like-minded thinkers. We want to give this community a voice, so if you have something you want to contribute — an essay, a short or very short story, poem, or photograph, etc. — then we'd like to hear from you.

 

What is 'wild culture'?

 

WHAT IT IS TO US . . .

Wild Culture is a term that represents a paradoxical coming together of two words whose meanings are in apparent contradiction to each other . . .

WILD: the untameable, what’s come undone, weather (climate, climate change), a tiger or serial killer gone missing in the community, mental illness, behaviour that causes others to flee your presence, beauty or ugliness in the untouched wilderness, Nature, unprovable metaphysical occurences or notions, and so on . . .

CULTURE: what humans make, positive or negative outcomes of civilization (schools, highways, cities, cyber territories, etc.), religion, having to pay the rent or mortgage, civility: common and uncommon, (the culture of) science, technology, and so on . . .

When these two words are juxtaposed they present a third idea that, for some, might be a cause for reflection about a number of things. For example . . .

. . . our distress about society's general disconnection with nature.

. . . my personal need to be more (or less) loose in the way I live my life.

. . . a need to restore balance in the world or in our own lives by getting a better hold on things that are unduly destructive.

 

SOME DEFINITIONS OF 'WILD CULTURE'

1. The articulated space between what humans do and what they cannot control.

2.  A particular way of thinking and feeling triggered by our simultaneous consideration of the everyday business of the world and our passion for the wonders of nature.

3.  The mental imaginative space outside the fence of what each person views as 'things conventional' or belonging to 'the mainstream', whereby those things are seen with a deeper understanding than they could be without the benefit of that view. 

 

WHAT IT IS TO YOU . . . 

1. We've been on this enjoyable dig for a definition for as long as we've been doing wild culture, which is part of the fun. However, even more interesting to us is what you see it as, and how and where you see it. If you can, please tell us, or send us something that is an example of your view of these two words that belong and don't belong together.

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But such definitions only go so far in our appreciation of what 'wild culture' is to us. There is much fertile expression to be found in the space between wild and culture, as there is between . . .

The raw and the cooked

The savage and the civilised

The natural and the constructed

The everyday and the cosmic

The rational and the unfettered spirit

The hot oven and the Baked Alaska

The need to pay the rent and the possibility of being free to do whatever we want

A place of tension exists within oxymorons — between opposing forces and contradictory yet often harmonious notions (concordia discors) — that can be applied to almost any area of our lives. We are interested in the many interpretations of ‘wild culture’ that are available to everyone, and the opportunity that exists when our experience of the world is viewed through this bifocal lens.

For us, one aspect of it is what we call ‘new future practice’: how we can live today for the future we envision — a future that we want for ourselves and generations to come. The Journal of Wild Culture wants to be part of the discussions and stories that are at the center of this visioning and rebalancing work. We exist physically in the quadrant of Toronto, London, New York and Tokyo, inviting members, contributors or volunteers of any sort into a stimulating, playful, and moving exploration of the space in between . . . 

Or, forget all this and ask yourself the question: From what I personally think about what 'wild culture' is, for me, and from what I've read of The Journal of Wild Culture, would my contribution fit there?

(Daniel in the Lions' Den, P. P. Rubens, c. 1614-16)

 

What do we want?

 

As a consequence, we want many things. We're looking for things that navigate the edge between wild and culture, or any two or more disciplines, and we want things that cross boundaries; for instance, between the arts and the sciences; that explore the relationship between humans and the environment. And we'd like to bring academic thinking outside of the university and mobilise it in new and creative ways. All in all, we’re also looking for incisive journalism, strong and well-thought out opinions, inspiring stories, personal recollections, jottings and other assorted writings that directly or indirectly scratch the ‘wild culture’ itch. Where possible, we also want you to make us laugh.

Use double or 1.5 spacing betweens lines and include a word count, title and author, and pages numbered. Do not use double spaces between in your manuscipt. Our style uses m-dashes — the dash like this — with a space before and after surrounding words.  

Please include a bio of 4-5 sentences, based on reference to existing bios of JWC contributors.

Send your ideas or manuscripts to journal [AT] wildculture.com

Send your manuscript in a .doc or .docx or Pages (Apple software) file. PDFs are acceptable but not preferred, though sometimes necessary with precise formatting of poetry .

In the subject line of your submission email, write: Submission to JWC

 

What length of article do we want?

 

It depends. If it's well-written our readers will gobble it up, however long it is. A common guidepost for articles and columns in most newspapers is between 700 and 800 words, which works well for writers and readers. But that doesn't mean we only want pieces of this length. How long does it take you to get your point(s) across and hold the reader to a satisfying end where they are left feeling your piece was worth putting the time into? If you write a long piece and it is longer than it should be, we can help with that. We work closely with our contributors. That said, please do not send very long pieces that have not been rigorously edited by you; before it gets to us you need to have done your work and feel it's as good as you can make it.

We also publish batches of poems or very short pieces (flash prose) that can comprise a full article. Please submit a full batch, which might be one or two longer poems. See this section for examples of what we call a poetry 'batch'.

If you have a piece of writing that fits no categories you can think of, or that you see here, and you think it would be interesting to our readers, don't be shy — send it along!

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What is the relationship between contributor and editor?

 

If you have a longer piece, and we like it but it needs work, you might want to be prepared to collaborate with us to get it to the level of quality that our editors and readers expect. We seek to publish works that are at the highest standard of journalism anywhere, online or in print — a tall goal, indeed, but a reflection of our respect for our readers and writers. So, based on this, writer and editor sometimes have to work very hard to bring a piece to that standard. As a contributor to The Journal of Wild Culture, what you get is a great deal of concerted attention on your work by an experienced editor.

 

Who owns what I publish in The Journal of Wild Culture?

 

The copyright of what you contribute to JWC is owned by you. No piece of yours will be knowingly placed anywhere else online or in print by us. We own the presentation. If you are going to place a piece you have published with us with another publisher, we ask that you let us know and ensure that the other publisher will include a link or credit to the appearance of the article in The Journal of Wild Culture.

 

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Photos by Tom Medwell. ©Journal of Wild Culture.