The Journal of Wild Culture

wildculture.com

How to Design for Listening

What makes a performing arts hall sound and feel good for performers and audiences alike. Interview with Donald Schmitt.
Memorial Hall, Marlborough_wild culture
Hahn and Hauschka
SENSORY REVIEW: Synaesthetic writer Megan Orpwood-Russell
Krank: Love in the New Dark Times, III
The Summit Riots: the last of three extracts from Sarah
Krank: Love in the New Dark Times, II
The Ward’s Island Ferry: the second of three extracts from
Krank: Love in the New Dark Times, I
The Ward’s Island Ramparts: the first of three extracts
Pestival
Putting a Price on Nature
New pan-European research project aims to detail the
Token Wild Boy, Vol VI
Merlyn Driver describes the seasonal arrival of Mormon
TED in Sheldrake ‘censorship’ row
TED pulls talks by Graham Hancock and Rupert Sheldrake from
Is Finding Art Useful a Problem?
LONDON: Tom Jeffreys examines the potential problems of art
Sealand
The strange passion of modern sea-settlers.
Institute of Making
LONDON: The new home of the justly celebrated Materials
The Walbrook Pilgrimage
LONDON: Cape Farewell’s poet-in-residence Tom Chivers leads